Monday, July 04, 2005
(The following vignette has been languishing on my hard drive for a long time; evidently I wrote it while working a retail job. Enjoy.)
The rasp of plastic-on-metal as salesmen detach from walls, limbs folding into gestures of stiff greeting. Their faces are lean, somehow vapid and predatory. And their limbs move with a certain resistance, as if the muscles beneath have hardened, the joints ossified with fatigue.
A girl enters and studies the merchandise.
Supplicating ceramic smiles. "Can I help you find anything . . . ?"
She moves dismissively, gliding down cluttered aisles with feral confidence. Her skin is tawny, her eyes black and lined with day-old makeup. Her shoulder boasts a small cryptic tattoo.
One of the salesmen follows, knees wheezing pneumatically, arms stiff at its sides as if bound. The head twitches within ferroplastic restraints, lips pulling back in a desperate smile. The arms extend in increments, displaying long bloodless fingers that fumble on a nearby counter like wounded birds.
She glances back, smiling in deprecation and unease. She turns to leave, sandaled feet smacking the tile beneath her threadbare denim dress.
The sound of her necklaces jangling fills the store. Other salesmen, eyes perpetually roaming, fasten onto her as she clutches at her purse, closer to the sliding doors.
The rasp of plastic on metal.
"Can I help you find . . ."
The rasp of plastic-on-metal as salesmen detach from walls, limbs folding into gestures of stiff greeting. Their faces are lean, somehow vapid and predatory. And their limbs move with a certain resistance, as if the muscles beneath have hardened, the joints ossified with fatigue.
A girl enters and studies the merchandise.
Supplicating ceramic smiles. "Can I help you find anything . . . ?"
She moves dismissively, gliding down cluttered aisles with feral confidence. Her skin is tawny, her eyes black and lined with day-old makeup. Her shoulder boasts a small cryptic tattoo.
One of the salesmen follows, knees wheezing pneumatically, arms stiff at its sides as if bound. The head twitches within ferroplastic restraints, lips pulling back in a desperate smile. The arms extend in increments, displaying long bloodless fingers that fumble on a nearby counter like wounded birds.
She glances back, smiling in deprecation and unease. She turns to leave, sandaled feet smacking the tile beneath her threadbare denim dress.
The sound of her necklaces jangling fills the store. Other salesmen, eyes perpetually roaming, fasten onto her as she clutches at her purse, closer to the sliding doors.
The rasp of plastic on metal.
"Can I help you find . . ."
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7 comments:
Word of the day: eglyphic
Thaaank you.
Basically, an eglyph is an animated icon or letterform that interacts with the reader/participant. Eglyphics are made possible in large part by ubiquitous computer displays such as "electronic paper" (which utilizes "e-ink," or "enk").
I've been playing with this concept for a while, mostly in the form of fiction. It strikes me as an especially prudent means of "rubbing out the word."
... interacts with the reader/participant
Hmm, this raises interesting postbiological (or postgenetic if you prefer) possibilities. Language as lifeform?
Essentially, yeah. Eglyphic "script" is a sort of low-level AI that has as much in common with CGI avatars as it does with typewriter keys.
Logical progression of this: we'd need to be modified or, at least, severely retrained to make these more useful than reading.
I think we're already on the road to "eglyphic" communication. It's not better or worse than reading; it's simply different.
Oh, I don't know; large blocks of data contained in what, to us, would look like a single (albeit mobile) alphapictorial character? Could be quicker at least, if nothing else.
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