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"A stunning survey of the latest evidence for intelligent life on Mars. Mac Tonnies brings a thoughtful, balanced and highly accessible approach to one of the most fascinating enigmas of our time."
--Herbie Brennan, author of Martian Genesis and The Atlantis Enigma
"Tonnies drops all predetermined opinions about Mars, and asks us to do the same."
--Greg Bishop, author of Project Beta
"I highly recommend the book for anyone interested in the search for extra-terrestrial artifacts, and the political intrigues that invariably accompany it."
--David Jinks, author of The Monkey and the Tetrahredron
"Mac Tonnies goes where NASA fears to tread and he goes first class."
--Peter Gersten, former Director of Citizens Against UFO Secrecy
And don't miss...
(Includes my essay "The Ancients Are Watching.")
Join the Posthuman Blues Geographical Matrix!
6 comments:
Two thumbs down. (Sorry, Mac)
--W.M. Bear
I'm pleased that this song and "That's How People Grow Up" are both a bit snappier and fast paced than a lot of his past solo stuff. I hope the new album has a lot of that sound on it. I always liked his faster pop songs in general - the " Lifeguard Sleeping, Girl Drowning" sorta stuff gets to be a bit much sometimes.
Morrisey is always two thumbs up for me, but wow.. time has taken it's toll on him. My mental image of Moz is forever stuck in circa 1985 - always will be.
Now I feel friggin old...
Yup, just as I thought...the cats were much more entertaining.
Great stuff by Moz - ignore the haters Mac! :-)
Morrisey gives me the impression of a midlife computer corp exec who's decided to pursue his childhood ambition to be a rock star. His band definitely provides a good, obsessive rhythmic backup but so? Just about any decent rock band can do that. I guess I can see why some people like him without liking him myself. Plus, I thought the lyrics to this particular song were obnoxiously egoistic, even if meant satirically (an impression I didn't get). Sorry I don't share your tastes, Mac, tj, and Paul.
--WMB
Plus, I thought the lyrics to this particular song were obnoxiously egoistic, even if meant satirically (an impression I didn't get).
*Definitely* satirical, WMB.
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